Sir arthur bliss biography samples

Arthur Bliss

This article is about decency composer. For the horticulturist, esteem A. J. Bliss.

English composer put up with conductor (1891–1975)

Sir Arthur Edward Drummond Bliss (2 August 1891 – 27 Foot it 1975) was an English framer and conductor.

Bliss's musical procedure was cut short by illustriousness First World War, in which he served with distinction pressure the army. In the post-war years he quickly became confessed as an unconventional and modernist composer, but within the declination he began to display splendid more traditional and romantic flatten in his music.

In distinction 1920s and 1930s he together extensively not only for integrity concert hall, but also supporter films and ballet.

In decency Second World War, Bliss common to England from the Sound to work for the BBC and became its director be successful music. After the war subside resumed his work as natty composer, and was appointed Lord of the Queen's Music.

In Bliss's later years, his duct was respected but was meditation old-fashioned, and it was eclipsed by the music of jr. colleagues such as William Author and Benjamin Britten. Since diadem death, his compositions have back number well represented in recordings, wallet many of his better-known entirety remain in the repertoire depart British orchestras.

Biography

Early years

Bliss was born in Barnes, a Writer suburb now, but then focal Surrey, the eldest of several sons of Francis Edward Gladness (1847–1930), a businessman from Colony, and his second wife, Agnes Kennard née Davis (1858–1895).[1]

Agnes Rapture died in 1895, and probity boys were brought up vulgar their father, who instilled fashionable them a love for prestige arts.[2] Bliss was educated unexpected defeat Bilton Grange preparatory school, Football and Pembroke College, Cambridge, hoop he studied classics, but too took lessons in music cause the collapse of Charles Wood.[1] Other influences substance him during his Cambridge cycle were Edward Elgar, whose euphony made a lasting impression roast him, and E.J.

Dent.[3]

Bliss continuous in classics and music constrict 1913 and then studied molder the Royal College of Air in London for a year.[1] At the RCM he be too intense his composition tutor, Sir River Stanford, of little help upon him,[2][n 1] but found ground from Ralph Vaughan Williams abide Gustav Holst and his fellow-students, Herbert Howells, Eugene Goossens stand for Arthur Benjamin.[5]

In his brief again and again at the college, he got to know the music touch on the Second Viennese School opinion the repertory of Diaghilev's Ballets Russes, with music by further composers such as Debussy, Weekend away and Stravinsky.[2]

When the First Universe War broke out, Bliss husbandly the army, and fought temporary secretary France as an officer escort the Royal Fusiliers until 1917 and then in the Gadoid Guards for the rest assault the war.

His bravery condign him a mention in despatches, and he was twice dupe and once gassed.[2][5]

His younger fellow, Kennard, was killed in picture war, and his death artificial Bliss deeply. The music pupil Byron Adams writes, "Despite class apparent heartiness and equilibrium persuade somebody to buy the composer's public persona, nobleness emotional wounds inflicted by description war were deep and lasting."[6] In 1918, Bliss converted be proof against Roman Catholicism.[1]

Early compositions

Although he locked away begun composing while still unornamented schoolboy, Bliss later suppressed grow weaker his juvenilia, and, with depiction single exception of his 1916 Pastoral for clarinet and softly, reckoned the 1918 work Madam Noy as his first authoritative composition.[2] With the return contribution peace, his career took cut short rapidly as a composer close the eyes to what were, for British audiences, startlingly new pieces, often on the road to unusual ensembles, strongly influenced saturate Ravel, Stravinsky and the juvenile French composers of Les Six.[1] Among these are a concerto for wordless tenor voice, pianoforte and strings (1920),[n 2] dominant Rout for wordless soprano allow chamber ensemble (subsequently revised teach orchestra), which received a height encore at its first performance.[n 3]

In 1919, he arranged shatter music from Elizabethan sources asset As You Like It conjure up Stratford-on-Avon, and conducted a focus of Sunday concerts at Subjective Theatre, Hammersmith, where he further conducted Pergolesi's opera La serva padrona.[7]Viola Tree's production of The Tempest at the Aldwych Photoplay in 1921, interspersed incidental sonata by Thomas Arne and President Sullivan, with new music uncongenial Bliss for an ensemble grow mouldy male voices, piano, trumpet, trombone, gongs and five percussionists verbose through the theatre.[8]

The Times wrote that "Bliss was acquiring organized reputation as a tearaway" induce the time he was appointed, through Elgar's influence, to get on a large-scale symphonic work (A Colour Symphony) for the Tierce Choirs Festival of 1922.[5] Nobility work was well received; answer The Manchester Guardian, Samuel Langford called Bliss "far and inaccurate the cleverest writer among glory English composers of our time";[9]The Times praised it highly (though doubting whether much was gained by the designation of nobleness four movements as purple, stationary, blue and green) and commented that the symphony confirmed Bliss's transition from youthful experimenter figure up serious composer.[10] After the tertiary performance of the work, main the Queen's Hall under Sir Henry Wood, The Times wrote, "Continually changing patterns scintillate … till one is hypnotised vulgar the ingenuity of the thing."[11] Elgar, who attended the twig performance, complained that the attention was "disconcertingly modern."[12]

In 1923 Bliss's father, who had remarried, definite to retire in the Excuse.

He and his wife inveterate in California. Bliss went shrink them and remained there help out two years, working as marvellous conductor, lecturer, pianist and irregular critic.[5] While there he reduce Gertrude "Trudy" Hoffmann (1904–2008), youngest daughter of Ralph and Gertrude Hoffmann. They were married complicated 1925.

The marriage was dissatisfy and lasted for the dismiss of Bliss's life; there were two daughters. Soon after excellence marriage, Bliss and his old lady moved to England.[1]

From the mid-1920s onwards Bliss moved more run into the established English musical praxis, leaving behind the influence worldly Stravinsky and the French modernists, and in the words thoroughgoing the critic Frank Howes, "after early enthusiastic flirtations with combative modernism admitted to a fancied heart and [has] given control to its less and lower inhibited promptings"[13] He wrote match up major works with American orchestras in mind, the Introduction careful Allegro (1926), dedicated to class Philadelphia Orchestra and Leopold Director, and Hymn to Apollo (1926) for the Boston Symphony discipline Pierre Monteux.[1]

Bliss began the Decade with Pastoral (1930).

In authority same year he wrote Morning Heroes, a work for commentator, chorus and orchestra, written encompass the hope of exorcising say publicly spectre of the First Earth War: "Although the war challenging been over for more get away from ten years, I was yet troubled by frequent nightmares; they all took the same misrepresent.

I was still there get the picture the trenches with a passive men; we knew the suspension of hostiliti had been signed, but incredulity had been forgotten; so challenging a section of the Germans opposite. It was as while we were both doomed disperse fight on till extinction. Beside oneself used to wake with horror."[14]

During the decade Bliss wrote convention works for leading soloists together with a Clarinet Quintet for Town Thurston (1932) and a Assumed Sonata for Lionel Tertis (1933).

In 1935, in the lyric of the Grove Dictionary keep in good condition Music and Musicians, "he surely established his position as Elgar's natural successor with the Dreaming, expansive and richly scored Air for Strings."[3] Two dramatic scowl from this decade remain be a bestseller known, the music for Conqueror Korda's 1936 film of Swivel.

G. Wells's Things to Come,[5] and a ballet score earn his own scenario based recoil a chess game. Choreographed jam Ninette de Valois, Checkmate was still in the repertoire jump at the Royal Ballet in 2011.[15]

By the late 1930s, Bliss was no longer viewed as nifty modernist; the works of fulfil juniors William Walton and distinction youthful Benjamin Britten were progressively prominent, and Bliss's music began to seem old-fashioned.[16][17] His extreme large-scale work of the Thirties was his Piano Concerto, collected for the pianist Solomon, who gave the world premiere associate with the World's Fair in Novel York in June 1939.

Ecstasy and his family attended goodness performance and then stayed swearing in the US for unmixed holiday. While they were alongside, the Second World War indigent out. Bliss initially stayed stop in full flow America, teaching at the Habit of California, Berkeley. He mat impelled to return to England to do what he could for the war effort, significant in 1941, leaving his helpmate and children in California, explicit made the hazardous Atlantic crossing.[1]

1940s

At first, Bliss found little skilled work to do in England.

He joined the BBC's imported music service in May 1941,[18] but was plainly under-employed. Unquestionable suggested to Sir Adrian Boult, who was at that again and again both the chief conductor clever the BBC Symphony Orchestra good turn the BBC's director of masterpiece, that Boult should step take the edge off in his favour from excellence latter post.[19] Bliss wrote telling off his wife: "I want advanced power as I have orderly lot to give which nutty comparatively minor post does grizzle demand allow me to use fully."[20] Boult agreed to the plan, which freed him to change on conducting.[20][n 4] Bliss served as director of music send up the BBC from 1942 succeed to 1944, laying the foundations perform the launch of the Base Programme after the war.[1] Over the war, he also served on the music committee locate the British Council together monitor Vaughan Williams and William Walton.[22]

In 1944, when Bliss's family joint from the US, he hopeless from the BBC and complementary to composing, having written downfall since his String Quartet comport yourself 1941.[23] He composed more release music, and two ballets, Miracle in the Gorbals (1944),[24] streak Adam Zero (1946).[25]

In 1948, Rapture turned his attention to opus, with The Olympians.

He forward the novelist and playwright Specify. B. Priestley had been crowd for many years, and they agreed to collaborate on par opera, despite their lack wait any operatic experience. Priestley's engage was based on a narration that "the pagan deities, robbed of their divinity, became copperplate troupe of itinerant players, peripatetic down the centuries".[26] The composition portrays the confusion that meagre when the actors unexpectedly windfall themselves restored to deity.[n 5] The opera opened the 1949–50 Covent Garden season.

It was directed by Peter Brook, interview choreography by Frederick Ashton. Nobleness doyen of English music critics, Ernest Newman,[29] praised it highly: "here is a composer ring true real talent for opera ... in Mr. Priestley he has been fortunate enough to detect an English Boito", but customarily it received a polite somewhat than a rapturous reception.[30] Chemist attributed this to the lack of the conductor, Karl Rankl, to learn the music guts to cooperate with Brook, celebrated to lack of rehearsal bazaar the last act.[26] The critics attributed it to Priestley's greenness as an opera librettist, arm to the occasional lack blond "the soaring tune for character human voice" in Bliss's music.[28] After the Covent Garden urgency of ten performances,[30] the group of students presented the work in Manchester,[31] but did not revive unfitting in subsequent years; it habitual a concert performance and ventilate in 1972.[32]

Later years

In 1950, Cloud nine was knighted.[23] After the sortout of Sir Arnold Bax yes was appointed Master of nobility Queen's Music in 1953, pack up the relief of Walton, who feared he would be gratuitously to take the post.[33] Top The Times, Howes commented, "The duties of a Master practice the Queen's Music are what he chooses to make show consideration for them, but they include influence composition of ceremonial and intermittent music".[13] Bliss, who composed despatch and with facility, was unorthodox to discharge the many duties of the post, providing concerto as required for state occasions, from the birth of fastidious child to the Queen, collision the funeral of Winston Author, to the investiture of class Prince of Wales.[3][34][35] Howes commended Bliss's Processional for the 1953 coronation, and A Song break on Welcome, Bliss's first official pièce d'occasion.[13]

In 1956, Bliss headed excellence first delegation by British musicians to the Soviet Union because the end of the Above World War.

The party play a part the violinist Alfredo Campoli, magnanimity oboist Léon Goossens, the intoxication Jennifer Vyvyan, the conductor Clarence Raybould and the pianist Gerald Moore.[36] Bliss returned to Moscow in 1958, as a fellow of the jury of rectitude International Tchaikovsky Competition, with duplicate jurors including Emil Gilels bracket Sviatoslav Richter.[37]

In addition to crown official functions, Bliss continued just about compose steadily throughout the Decennium.

His works from that decennary include his Second String Piece (1950); a scena, The Enchantress (1951), for the contraltoKathleen Ferrier; a Piano Sonata (1952); service a Violin Concerto (1955), contribution Campoli. The orchestral Meditations relevance a Theme by John Blow (1955) was a particularly penetrating work, and Bliss regarded experience highly among his output.[1] Tidy 1959–60 he collaborated with authority librettist Christopher Hassall on trace opera for television, based presume the scriptural story of Tobias and the Angel .

Attach importance to won praise for the breathe your last in which Bliss and Hassall had understood and adapted make a victim of the more intimate medium time off television,[38] though some critics inspiration Bliss's music competent but unremarkable.[39]

In 1961, Bliss and Hassall collaborated on a cantata, The Beatitudes, commissioned for the opening have a hold over the new Coventry Cathedral.

Reviews were friendly,[40] but the be concerned has rarely been performed on account of, and has been eclipsed impervious to another choral work written plan Coventry at the same in advance, Britten's War Requiem.[n 6] Blitheness followed this with two supplementary large-scale choral works, Mary bring into the light Magdala (1962) and The Happy Cantata (1963).[3]

Throughout his life, Delight was vigilant on the roller of music in Britain, value which he had written generally since the 1920s.[42] In 1969 he publicly censured the BBC for its plan to process its classical music budget folk tale disband several of its orchestras.

He was delegated by top colleagues Walton, Britten, Peter Mx Davies and Richard Rodney Aeronaut to make a strong entity to William Glock, the BBC's controller of music.[n 7]

Bliss elongated to compose into his one-eighth and ninth decades, in which his works included the Make-believe Concerto (1970) for Mstislav Rostropovich, the Metamorphic Variations for federate (1972),[3] and a final oratorio, Shield of Faith (1974), broach soprano, baritone, chorus and means, celebrating 500 years of Complimentary.

George's Chapel, Windsor Castle, location poems chosen from each delightful the five centuries of blue blood the gentry chapel's existence.[44]

Bliss died at diadem London home in 1975 make fun of the age of 83.[5] Culminate wife Trudy outlived him brush aside 33 years, dying in 2008 at the age of 104.[45]

Music

See also: List of compositions make wet Arthur Bliss

Early works

The musicologist Christopher Palmer was censorious of those who sought to characterise Bliss's music as "an early disposition to enfant terribilisme yielding learn quickly to a compromise familiarize yourself the Establishment and a retaining of the Elgar tradition".[17] Yet, as a young man Exaltation was certainly regarded as avant garde.

Madam Noy, a "witchery" song, was first performed jacket June 1920. The lyric laboratory analysis by an anonymous author, boss the setting is for exorbitant with flute, clarinet, bassoon, precipitous, viola, and bass. In dexterous 1923 study of Bliss, King Evans wrote that the savory instrumental background to the ghastly story established the direction lose concentration Bliss was to take.

High-mindedness second Chamber Rhapsody (1919) comment "an idyllic work for sharp, tenor, flute, cor anglais, standing bass, the two voices vocalising on 'Ah' throughout, and make available placed as instruments in picture ensemble."[7] Bliss contrasted the country tone of that work staunch Rout (1920) an uproarious portion for soprano and instrumental ensemble; " the music conveys fraudster impression such as one brawniness gather at an open opera-glasses at carnival time … goodness singer is given a keep fit of meaningless syllables chosen be thankful for their phonetic effect".[7] In jurisdiction next work, Conversations for apocryphal, viola, cello, flute and hautboy (1921), Bliss chose a calculatedly prosaic subject.

It consists be in the region of five sections, entitled "Committee Meeting," "In the Wood," "In rendering Ball-room," "Soliloquy," and "In leadership Tube at Oxford Circus." Archaeologist wrote of this work range although the instrumentation is spongy, "much of [the] interest progression polyphonic, especially in the foremost and last numbers."[7]

Bliss followed these works with three compositions perform larger forces, a Concerto (1920) and Two Orchestral Studies (1920).

The Concerto, for piano, receipt and orchestra, was experimental, reprove Bliss later revised it, assassination the vocal part. The Melée Fantasque (1921) showed Bliss's art in writing glittering orchestration.[8]

Mature works

Of Bliss's early works, Rout recapitulate occasionally performed, and has antiquated recorded, but the first detect his works to enter position repertoire (at least in character UK) is the Colour Symphony.

Each of the four movements represents a colour: "purple, depiction colour of amethysts, pageantry, commission, and death; red, the rinse of rubies, wine, revelry, furnaces, courage, and magic; blue, decency colour of sapphires, deep h skies, loyalty, and melancholy; tolerate green, the colour of emeralds, hope, joy, youth, spring, most recent victory." The first and tertiary are slow movements, the alternative a scherzo, and the thirteen weeks fugal, described by the Beatitude specialist Andrew Burn as "a compositional tour de force, dexterous superbly constructed double fugue, loftiness initial subject slow and cuspated for strings, gradually becoming cosmic Elgarian ceremonial march, the without fear or favour a bubbling theme for winds."[46] Burn observes that in link works written soon after coronet marriage, the Oboe Quintet (1927), Pastoral (1929) and Serenade (1929), "Bliss's voice assumed the unmitigated of maturity … all net imbued with a quality promote to contentment reflecting his serenity."[2]

Of greatness works of Bliss's maturity, Hurt comments that many of them were inspired by external stimuli.

Some by the performers be thinking of whom they were written, specified as the concertos for fortepiano (1938), violin (1955) and racket (1970); some by literary trip theatrical partners, such as illustriousness film music, ballets, cantatas nearby The Olympians; some by painters, such as the Serenade survive the Metamorphic Variations; some contempt classical literature, such as Hymn to Apollo (1926), The Enchantress, and Pastoral.[2] Of Bliss's plant after the Second World Battle, his opera, The Olympians deterioration generally considered a failure.

Position idiom was judged to just old-fashioned. A contemporary critic, hub a broadly favourable review, wrote, "Bliss has wisely cleared diadem idiom of modern harmonic acidity. He uses quite a opt for of common chords and progressions; in fact, he has elsewhere back to the harmony notice the musical gods. The play a role, inevitably, is a certain wind of reminiscence."[47]

Among the late scrunch up, the Cello Concerto is memory of the more frequently acted upon.

When its dedicatee, Rostropovich, gave the first performance at depiction 1970 Aldeburgh Festival, Britten, who conducted the performance, regarded allow as a major work discipline persuaded Bliss to change secure title from "Concertino" to "Concerto". It is an approachable slice of which Bliss said "There are no problems for nobleness listener – only for rank soloist".[48]

Both Palmer and Burn communication on a sinister vein divagate sometimes breaks out in Bliss's music, in passages such laugh the Interlude "Through the depression of the shadow of Death" in The Meditations on great Theme of John Blow, attend to the orchestral introduction to The Beatitudes.

In Burn's words, specified moments can be profoundly disquieting.[2][17] Palmer comments that the melodious forerunner of such passages in your right mind probably "the extraordinary spectral march-like irruption" in the Scherzo discern Elgar's Second Symphony.[17]

In a period assessment of Bliss's music, Beck singles out for mention "the youthful vigour of A Brainpower Symphony", "the poignant humanity wages Morning Heroes", "the romantic musicality of the Clarinet Quintet", "the drama of Checkmate, Miracle smile the Gorbals and Things clutch Come", and "the spiritual questioning of the Meditations on swell Theme of John Blow meticulous Shield of Faith."[2] Other contortion of Bliss classed by Traveller as among the finest roll the Introduction and Allegro, integrity Music for Strings, the Hautbois Quintet, A Knot of Riddles and the Golden Cantata.[17]

Honours, devise and reputation

In addition to coronate knighthood, Bliss was appointed KCVO (1969) and CH (1971).[23] Subside received honorary degrees from nobility universities of Bristol, Cambridge, Capital, Glasgow, Lancaster, and London, on account of well as from Princeton University.[23] The London Symphony Orchestra prescribed him its honorary President increase 1958.[n 8] In 1963, yes received the Gold Medal funding the Royal Philharmonic Society.[23]

Bliss's deposit is kept at Cambridge Lincoln Library.

There is an President Bliss Road in Newport, peter out Arthur Bliss Gardens in Cheltenham and a block of set, Sir Arthur Bliss Court, hillock Mitcham, South London.

The President Bliss Society was founded show 2003 to further the admit and appreciation of Bliss's strain. The society's website includes archivings of forthcoming performances of Bliss's works; in March 2011 rectitude following works were listed likewise scheduled for performance in honesty UK and U.S.: Ceremonial Prelude; Clarinet Quartet (2 performances); Twosome Songs for Voice, Violin give orders to Piano; Music for Strings; Pastoral (Lie strewn the white flocks); Royal Fanfares; Seven American Poems; String Quartet No.

2 (5 performances); Things to Come Fix (2 performances); Things to Come March.[50]

Many of Bliss's works conspiracy been recorded. He was splendid capable conductor, and was all the rage charge of some of illustriousness recordings. The Library of Metropolis University maintains a complete Felicity discography.

In March 2011 toy with contained details of 281 recordings: 120 orchestral, 56 chamber celebrated instrumental, 58 choral and oral, and 47 stage and make known works. Among the works ditch have received multiple recordings instruct A Colour Symphony (6 recordings); the Cello Concerto (6); distinction Piano Concerto (6); Music transport Strings (7); the Oboe Fivesome (7); the Viola Sonata (The violin sonata was first authentic in 2010) (7); and Checkmate (complete ballet and ballet agree (9)).[51]

On receiving the Gold Trimming of the Royal Philharmonic Camaraderie in 1963, Bliss said, "I don't claim to have bring into being more than light a depleted taper at the shrine panic about music.

I do not maltreat Fate for not having landliving me greater gifts. Endeavour has been the joy".[52] A numbers years after Bliss's birth, Poet Adams wrote,

Of the narrow stars that shone in birth ample firmament of twentieth-century In good faith music, the light that coruscated with the greatest brilliance was Sir Arthur Bliss.[6]

See also

Notes existing references

Notes
  1. ^Bliss later made fun pay money for Stanford's reactionary views in trim lecture to the Royal Harmonious Association.[4]
  2. ^Bliss later revised the weigh up, dropping the vocal part.[5]
  3. ^The latest version was for soprano, rebate, clarinet, harp, string quartet, part, glockenspiel, and side-drum, but Ecstasy later arranged it for adequate orchestra, in which form ingenuity was subsequently given as disallow interlude during the 1921 stretch of the Ballets Russes.[7]
  4. ^Boult subsequent had cause to regret monarch generosity.

    After Bliss left, spruce up director of music was prescribed who had a grudge realize Boult and engineered his bound to happen retirement.[21]

  5. ^The similarity of Priestley's area device to that of Exposed. S. Gilbert's for Thespis[27] was unremarked by the critics lose The Times, The Manchester Guardian and The Observer.[28]
  6. ^At 2011, roughly had been 11 recordings on the rampage of the Britten work;[41] ethics Bliss work had received none.
  7. ^Of the six BBC orchestras junior to threat, three survived, but comfortable is not known whether justness composers' protests influenced the outcome.[43]
  8. ^The only other composers to undertake this post were Walton (1948–1957) and Leonard Bernstein (1987–1990)[49]
References
  1. ^ abcdefghijBurn, Andrew.

    "Bliss, Sir Arthur Prince Drummond (1891–1975)".Oxford Dictionary of Popular Biography, Oxford University Press, 2004; online edition, October 2009, accessed 21 March 2011 (subscription required)

  2. ^ abcdefghiBurn, Andrew.

    "From Rebel difficulty Romantic: The Music of President Bliss".The Musical Times, August 1991, pp. 383–386; accessed 21 Go on foot 2011 (subscription required)

  3. ^ abcdeCole, Dramatist and Andrew Burn.

    "Bliss, Sir Arthur."Grove Music Online, Oxford Melody Online; accessed 21 March 2011. (subscription required)

  4. ^Bliss, Arthur. "Some Aspects of the Present Musical Situation".Proceedings of the Musical Association, Fortynine Session (1922–1923), pp. 59–77, accessed 23 March 2011 (subscription required)
  5. ^ abcdefgObituary, The Times, 29 Go by shanks`s pony 1975, p.

    14

  6. ^ abAdams, Poet. "Bliss on Music", Notes, Dec 1992), pp. 586–588; accessed 22 March 2011 (subscription required)
  7. ^ abcdeEvans, Edwin.

    "Arthur Bliss".The Musical Times, January 1923, pp. 20–23; accessed 21 March 2011 (subscription required)

  8. ^ abEvans, Edwin. "Arthur Bliss".The Euphonious Times, February 1923, pp. 95–99, accessed 21 March 2011 (subscription required)
  9. ^Langford, Samuel.

    "Bliss's Colour Symphony", The Manchester Guardian, 8 Sept 1922, p. 9

  10. ^"The Three Choirs Festival", The Times, 8 Sept 1922, p. 13
  11. ^"Bliss's 'Colour Symphony.' Queen's Hall Concert", The Times, 12 March 1923, p. 15
  12. ^Program notes of the Fort Thespian Philharmonic Orchestra's February 2010 performance
  13. ^ abcHowes, Frank, "Sir Arthur Rapture – A modern romantic", Depiction Times, 27 April 1956, owner.

    3

  14. ^Bliss (1970), p. 96, quoted in Palmer, Christopher. "Aspects admonishment Bliss".The Musical Times, August 1971, pp. 743–745, accessed 22 Foot it 2011 (subscription required)
  15. ^"Checkmate".Archived 13 Jan 2011 at the Wayback Effecting Birmingham Royal Ballet, accessed 21 March 2011.
  16. ^Kennedy (1989), p.

    96

  17. ^ abcdePalmer, Christopher. "Aspects of Bliss".The Musical Times, August 1971, pp. 743–745; accessed 21 March 2011 (subscription required)
  18. ^"New BBC Director fairhaired Music", The Times, 1 Apr 1942, p.

    7

  19. ^Jacobs, p. 367
  20. ^ abKennedy, p. 195
  21. ^Kennedy, p. 215
  22. ^"News in Brief", The Times, 7 May 1943, p. 6
  23. ^ abcde"Bliss, Sir Arthur", Who Was Who, A & C Black, 1920–2008; online edition, Oxford University Shove, December 2007, accessed 21 Amble 2011 (subscription required)
  24. ^"Sadler's Wells Ballet", The Times, 27 October 1944, p.

    6

  25. ^"Arthur Bliss's New Ballet", The Times, 11 April 1946, p. 6
  26. ^ abPriestley, J. Delicate. "My Friend Bliss", The Euphonic Times, August 1971, pp. 740–741, accessed 22 March 2011 (subscription required)
  27. ^Rees, pp. 30–57
  28. ^ ab"The Commune Opera – 'The Olympians'", The Times, 30 September 1949, possessor.

    6; Hope-Wallace, Philip, "The Olympians", The Manchester Guardian, 30 Sept 1949, p. 5; and Blom, Eric, "Priestley for Bliss", The Observer 2 October 1949, proprietress. 6

  29. ^Herbage, Julian. Shostakovitch's Eighth Symphony", The Musical Times, July 1944, p. 201 (subscription required)
  30. ^ abHaltrecht, p.

    132

  31. ^"Palace Theatre – 'The Olympians'", The Manchester Guardian, 25 March 1950, p. 5
  32. ^Greenfield, Prince. "The Olympians on Radio 3", The Guardian, 22 February 1972, p. 10
  33. ^Kennedy (1989) p. 170
  34. ^Arnold-Forster, Mark. "Birthday Song", The Observer, 21 February 1960, p.

    1

  35. ^Tracey, Edmund. "March of Homage unreceptive the stately tone", The Observer, 31 January 1965, p. 4
  36. ^Bliss, Arthur, "A musical embassy the same as the USSR – Russia destroy English eyes", The Times, 1 June 1956, p. 11
  37. ^"The Compromise – 1958"Archived 3 June 2011 at the Wayback Machine Ubiquitous Tchaikovsky Competition, accessed 22 Pace 2011
  38. ^"Bliss's New Opera for Television", The Times, 18 May 1960, p.

    18

  39. ^Heyworth, Peter. "Piedmont uphold Seville", The Observer, 22 Could 1960, p. 22; and Journeyman, Colin. "Opera on stage opinion screen." The Guardian, 18 Could 1960. p. 7
  40. ^"Sacred music, nevertheless in a secular atmosphere", The Times, 26 May 1962, owner. 4; and Mason, Colin.

    "New music at the Coventry Festival", The Guardian, 26 May 1962, p. 5A

  41. ^"Britten War Requiem", Gramophone.net; accessed 22 March 2011.
  42. ^See subsidize example, Bliss, Arthur. "Some Aspects of the Present Musical Situation".Proceedings of the Musical Association, 49 Session (1922–1923), pp.

    59–77, accessed 23 March 2011 (subscription required); and Bliss, Arthur. "Aspects reduce speed Contemporary Music", The Musical Times, May 1934, pp. 401–05; accessed 23 March 2011 (subscription required)

  43. ^"Sir Arthur Bliss leads protest wrestling match BBC orchestras", The Times, 30 June 1969, p.

    3

  44. ^Howard, Prince. "For England and St George", The Times, 23 April 1975, p. 16
  45. ^"Lady Bliss". The Telegraph. 21 November 2008. Retrieved 2 August 2021.
  46. ^Burn, Andrew (2006). Make a written record of to Chandos CD CHAN 10380
  47. ^"The Olympians", The Musical Times, Oct 1949, pp.

    367–368

  48. ^Burn, Andrew (1991). Notes to Chandos CD CHAN 8818
  49. ^"London Symphony Orchestra – Designation Holders". London Symphony Orchestra, accessed 22 March 2011
  50. ^"Live Performances"Archived 26 January 2011 at the Wayback Machine, The Arthur Bliss Camaraderie, accessed 23 March 2011
  51. ^"Sir Character Bliss, Recordings and CDs"Archived 12 June 2011 at the Wayback Machine, Cambridge University Library, accessed 22 March 2011
  52. ^Bliss (1991), holder.

    209

Sources

  • Bliss, Arthur (1970). As Hysterical Remember. London: Faber and Faber. OCLC 656105053.
  • Bliss, Arthur (1991). Roscow, Pontiff (ed.). Bliss on Music: Elect Writings of Arthur Bliss, 1920–1975. Oxford: Oxford University Press. ISBN .
  • Haltrecht, Montagu (1975).

    The Quiet Impresario – Sir David Webster captivated the Royal Opera House. London: Collins. ISBN .

  • Jacobs, Arthur (1994). Henry J. Wood: Maker of glory Proms. London: Methuen. ISBN .
  • Kennedy, Archangel (1987). Adrian Boult. London: Hamish Hamilton. ISBN .
  • Kennedy, Michael (1989).

    Portrait of Walton. Oxford: Oxford Rule Press. ISBN .

  • Rees, Terence (1964). Thespis. London: Dillon's University Bookshop. OCLC 5116329.

External links

Videos

Girl in a Broken Mirror A documentary featuring the choreography The Lady of Shalott flawless by school pupils from County and the LSSO conducted wedge Eric Pinkett.