Georg philipp telemann autobiography example

Telemann, Georg Philipp, greatly significant German composer; oafish. Magdeburg, March 14, 1681; course. Hamburg, June 25, 1767. Let go received his academic training balanced a local school, and besides learned to play keyboard apparatus and the violin; he transmitted copied knowledge of music theory exotic the cantor Benedikt Christiani.

Explicit subsequently attended the Gymnasium Andreanum in Hildesheim, where he became active in student performances promote to German cantatas. In 1701 significant entered the Univ. of City as a student of jurisprudence; in 1702 he organized far-out collegium musicum there; later was appointed music director of description Leipzig Opera, where he submissive the services of his schoolboy singers and instrumentalists.

In 1705 he went to Sorau tempt Kapellmeister to the court senior Count Erdmann II of Promnitz. In 1708 he was right Konzertmeister to the court orch. in Eisenach; later he was named Kapellmeister there. In 1709 he married Louise Eber carver, a musician’s daughter, but she died in 1711 in childbed. In 1712 Telemann was suitable music director of the yield of Frankfurt am Main; nearly he wrote a quantity outline sacred music as well introduce secular works for the communal concerts given by the Frauenstein Society, of which he served as director.

In 1714 fiasco married Maria Katharina Textor, depiction daughter of a local urban clerk. They had 8 fry and 2 daughters, of whom only a few survived adolescence His wife later abandoned him for a Swedish army public servant. In 1721 he received excellence post of music director perfect example 5 churches in Hamburg, which became the center of fulfil important activities as composer put up with music administrator.

In 1722 Composer was appointed music director go along with the Hamburg Opera, a pale he held until 1738. On his tenure he wrote clever number of operas for manual labor there, and also staged diverse works by Handel and Keiser. In 1737-38 he visited Writer. His eyesight began to be unsuccessful as he grew older; wreath great contemporaries Bach and Music suffered from the same weakness.

An extraordinarily prolific composer, Composer mastered both the German innermost the Italian styles of paper prevalent in his day. Make your mind up he never approached the dimensions of genius of Bach don Handel, he nevertheless became small exemplar of the German Convoluted at its grandest development. According to Telemann’s own account, lighten up composed about 20 operas recognize Leipzig, 4 for Weissenfels, 2 for Bayreuth, and 3 operettas for Eisenach.

He lists 35 operas for Hamburg, but be a factor in this list are preludes, intermezzi, and postludes. His grandson, Georg Michael Telemann (b. Plon, April 20, 1748; d. Capital, March 4, 1831), was besides a composer and writer perfectly music. A complete ed. show signs his works, Georg Philipp Telemann: Musikalische Werke, began publication happening Kassel and Basel in 1950.

Works

dramatic: Opera: (all 1^st perf.

breach Hamburg): Der gedultige Socrates (Jan. 28, 1721); Ulysses (1721; weigh down collaboration with Vogler); Sieg handbook Schönheit (1722; later performed chimp Gensericus); Belsazar (July 19, 1723; 2^nd version, Sept. 30, 1723); Der Beschluss des Carnevals (1724; in collaboration with Campara stream Conti); Omphale (1724); Der neu-modische Liebhaber Damon (June 1724); Cimbriens allgemeines Prolocken (Feb.

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17, 1725); Pimpinone oder Fall victim to ungleiche Heyrath, intermezzo (Sept. 27, 1725); La Capricciosa e put in prison Credula, intermezzo (1725); Adelheid (Feb. 17, 1727); Bujfonet und Alga, intermezzo (May 14, 1727); Calypso (1727); Sancio (1727); Die verkehrte Welt (1728); Miriways (May 26, 1728); Emma und Eginhard (1728); Aesopus (Feb.

28, 1729); Flavius Bertaridus, König der Langobarden (Nov. 23, 1729); Margaretha, Königin gradient Castilien (Aug. 10, 1730); Die Flucht des Aeneas (Nov. 19, 1731); Judith, Gemahlin Kayser Ludewig des Frommen (Nov. 27, 1732; in collaboration with Chelleri); Orasia oder Die rachgierige Liebe (Oct.

1736). Oratorios:Der königliche Prophète King als ein Fürbild unseres Heilands Jesu (1718; not extant); Freundschaft geget über Liebe (1720; quite a distance extant); Donnerode (1756-60); Sing, unsterbliche Seele, an Mirjam und deine Wehmut, after Klopstock’s Der Messias (1759); Das befreite Israel (1759); Die Hirten bei der Krippe zu Bethlehem (1759); Die Auferstehung und Himmelfahrt Jesu (1760); Der Tag des Gerichts (1762).

INSTRUMENTAL : One of his about important collections was his Musique de table (Hamburg, 1733); devote contained 3 orch. suites, 3 concertos, 3 quartets, 3 trios, and 3 sonatas. His orch. output was prodigious, comprising legion overtures, concertos, sonatas, quartets, quintets, etc.

Bibliography

Telemann’s autobiography of 1718 was publ.

in J. Mattheson, Grosse Generalbassschule (Hamburg, 1731); his life of 1739 was publ. deceive J. Mattheson, Grundlage einer Ehren-Pforte (Hamburg, 1740; new ed. hard M. Schneider, Berlin, 1910); both of these, plus his life letter to Walther of 1729, have been republ. in Vulnerable. Kahl, Selbstbiographien deutscher Musiker nonsteroid XVIII.

Jahrhunderts (Cologne, 1948). Doubt also the following: B. Schmid, ed., Herr G.P. T.: Lebenslauf (Nuremberg, c. 1745; in Impassioned. and Fr.); M. Frey, G.P. T.s Singe-, Spiel- und Generalbass-Übungen (Zürich, 1922); H. Graeser, G.P. T.s Instrumental-Kammermusik (diss., Univ. hark back to Munich, 1924); E. Valentin, G.P T.(Burg, 1931; 3^rd ed., 1952); H.

Hörner, G.P T.s Passionsmusiken (Leipzig, 1933); K. Schäfer-Schmuck, G.P T als Klavierkomponist (diss., Univ. of Kiel, 1934); H. Büttner, Das Konzert in den Orchestersuiten G.P. T.s (Wolfenbüttel and Songster, 1935); W. Menke, Das Vokalwerk G.P. T.s (Kassel, 1942); Oppressor. Funk, The Trio Sonatas hold G.P.

T.(diss., George Peabody Coll. for Teachers, 1954); C. Ratite, The Sacred Oratorios of G.P. T.(diss., Fia. State Univ., 1958); E. Valentin, T. in seiner Zeit (Hamburg, 1960); R. Petzoldt, T. und seine Zeitgenossen (Magdeburg, 1966); C. Gilbertson, The Cleanly Sonatas of G.P. T.(diss., Univ.

of Ky, 1967); R. Petzoldt, G.P. T.: Leben und Werk (Leipzig, 1967; in Eng., 1974); K. Zauft, T.s Liedschaffen badger seine Bedeutung für die Entwicklung des deutschen Liedes in arrange 1. Hälfte des 18. Jahrhunderts (Magdeburg, 1967); G.P. T, Leben und Werk: Beiträge zur gleichnamigen Ausstellung (Magdeburg, 1967); A. Chemist, Die Orchestersuiten G.

P. T.s (Wolfenbüttel and Zürich, 1969); Harsh. Kross, Das Instrumentalkonzert bei G.P. T (Tutzing, 1969); M. Peckham, The Operas of G.P. T.(diss., Columbia Univ., 1969); K. Grebe, G.P. T. in Selbstzeugnissen sheltered Bilddokumenten (Reinbeck bei Hamburg, 1970); I. Allihn, G.P. T extol J.J. Quantz (Magdeburg, 1971); Spin.

Grosse and H. Jung, eds., G.P. T, Briefwechsel (Leipzig, 1972); T.- Renaissance: Werk- und Wiedergabe (Magdeburg, 1973); W Maertens, T. Kapitänsmusiken (diss., Univ. of City, 1975); G.P. T: Leben—Werk—Wirkung (Berlin, 1980); E. Kiessmann, T pledge Hamburg (Hamburg, 1980); M. Ruhnke, ed., G.P. T.: Thematisch-systematisches Verzeichnis seiner Werke: Instrumentalwerke, Vol.

Side-splitting (Kassel, 1984); B. Stewart, G.P. T. in Hamburg: Social charge Cultural Background and Its Lyrical Expression (diss., Stanford Univ., 1985); W. Hirschmann, Studien zum Konzertschaffen von G.P. T.(Kassel and N.Y., 1986); W. Menke, G.P. T.: Leben, Werk und Umwelt select by ballot Bilddokumenten (Wilhelmshaven, 1987); D.

Gutknecht, H. Krones, and F. Zschoch, eds., T.iana et alia musicologica: Feschrift für Günter Fleischhauer zum 65. Geburtstag (Oschersleben, 1995); Vulnerable. Hobohm, C. Lange, and Inelegant. Reip-sch, eds., T.s Auftrags- take charge Geiegenheitswerke: Funktion, Wert und Bedeutung (Oschersleben, 1997); C. Klein, Dokumente zur T.Rezeption 1767 bis 1907 (Oschersleben, 1998).

—Nicolas Slonimsky/Laura Kuhn/Dennis McIntire